An Introduction To My Work

My artistic practice develops from an intimate relationship between autobiography, myth and critical thought. I approach art as a territory of confrontation, where memory, violence, identity and resistance intertwine. The body — female, hybrid, fragmented — emerges as a political and symbolic site, crossed by personal and collective histories, forced displacements, imposed silences and survival.

I am interested in mythologies as foundational structures of society: narratives that shape behaviours, legitimise power and produce exclusion. I appropriate these myths — sirens, hybrid figures, monsters, liminal entities — in order to dismantle and rewrite them from a feminist perspective. These figures become mythological machines: symbolic devices that expose structural violence, the erasure of women and fragility as a political construction.

My work crosses different languages and materials — painting, sculpture, video, sound, writing, artificial intelligence and found objects — in a deliberately hybrid gesture. I often work with remnants, poor or discarded materials, iron, organic fragments and unstable images, as a way of reflecting on bodies deemed disposable and marginalised narratives. The process is as important as the outcome: I am interested in friction, failure and the unfinished. My palette is usually restricted — blue, red and black — colours charged with dense symbolic weight, alluding both to trauma and to the possibility of healing, to mourning as well as to insurrection. Light also plays a fundamental role, creating illuminated areas and leaving others in obscurity, as if these skins held secrets or concealed scars.

For me, art emerges as a space of resistance and symbolic transformation. I do not seek to illustrate discourses, but to create fissures, provoke discomfort and open spaces for reflection. Between fragility and violence, silence and scream, my practice proposes itself as a poetic and political counter-narrative, where the artistic gesture asserts itself as a form of survival, active memory and struggle.

My work is a space of listening and confrontation. An act of aesthetic and political resistance. A body that speaks — even when everything around it tries to silence it.

The photos bellow are from my studio